Jill London | Untitled Abstract (Circa 2000) Treasures of the sea the finish is original

the finish is original

This unique glazing technique elevates the familiar form

" Interfering Friends May Frown captures the artist’s unique ability to balance geometric structure with raw

likely produced around 1974 in Sweden

Wadley's subjects are most often the human figure

Jill London | Untitled Abstract (Circa 2000) Treasures of the sea the finish is original9 3 4W x 15 3 4H x 3 4D In this luminous horizontal panel, Jill London orchestrates a brilliant collision between the ancient technical lineage of the 18th Dynasty and the high velocity mark making of the 1980s New York avant garde. Having honed her gestural vocabulary while working in the studio of Jean Michel Basquiat, London translates the raw energy of the Lower East Side into a sophisticated, material driven meditation. The work is grounded in a